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July 28-29, 2023 – Freissenbüttel (Germany) – Burning Q FestivalĪug.
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5, 2022 – Aalborg (Denmark) – Aalborg Metal Fest 5, 2022 – Copenhagen (Denmark) – Amager Bio 28, 2022 – Filderstadt (Germany) – Filharmonie 27, 2022 – Zurich (Switzerland) – Komplex 457 22, 2022 – Lisbon (Portugal) – Lisboa Ao Vivo 16, 2022 – Oberhausen (Germany) – Turbinenhalle 15, 2022 – Paris (France) – Elysee Montmartre The video was directed by Johan Bååth & Astrid Bergdahl.Īfter a successful run of festivals shows across Europe, North America and South America this summer, Tribulation will finally be back on the road starting this week, joining Watain, Abbath and Bölzer on the “Chariots of Fire” European Tour 2022. “ It’s an angry gothic tragedy sonically and introduces Joseph on guitar. “This is a song about the many shades of the word Hamartia,” said Tribulation’s Adam Zaars. Just one year after it’s release, and seven years after Tarja’s acrimonious departure, Anette would leave in a similarly dramatic hail of fire, but she left behind her the band’s crowning opus.After earning a Swedish Grammis Award earlier this year for their critically acclaimed latest album Where the Gloom Becomes Sound (2021), Tribulation has now returned with a new standalone single and video for “Hamartia”.Ī first recording to feature new guitarist Joseph Tholl, “Hamartia” was recorded with Robert Pehrsson, mixed by Tom Dalgety (who previously mixed Where the Gloom Becomes Sound), mastered by Magnus Lindberg and comes with artwork by Tribulation guitarist Adam Zaars. For every Nightwish-on-steroids dazzler like Storytime, Ghost River and I Want My Tears Back, there’s a volte-face like the jazz lounge of Slow, Love, Slow or haunted circus-top horror of Scaretale, while Last Ride Of The Day gave the band their most colourful anthem. Every member of the band puts in the performance of their lives, in particular, Anette Olzon sounds completely at home fronting the band by this point, while stylistically, this is Tuomas’ most ambitious experimental moment to date. Described by Tuomas as a “celebration of life”, their seventh album was a sprawling, wide-eyed wonder that explored the depths of every human emotion and experience, threw everything at the wall and watched it all stick. For newbies, this is the best place to start.Īfter the darkness of Dark Passion Play, with Imaginaerum, Nightwish stepped back into the light. With Once, the band perfected their symphonic drama and left their peers in the dust. Once brandishes many of the band’s most famous songs and saw Tarja on the form of her life: the tempestuous Dark Chest Of Wonders, stomper Wish I Had An Angel, wintery anthem Nemo and their career-defining moment, the extraordinary Ghost Love Score.
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The album that introduced Nightwish to the masses. It’s no surprise this was the record that turned Nightwish into festival and arena headliners. Then there’s The Greatest Show On Earth, a 25-minute show-stopper most bands could only dream of writing. From the full-pelt throttle of Shudder Before The Beautiful and cinematic bombast of Weak Fantasy, to the Celtic flourishes of Elan to the life affirming anthemia of Alpenglow, it’s a constant stream of brilliance. Nightwish’s first album with Floor Jansen is a high-concept exploration of evolutionary science, narrated by scientist Richard Dawkins and an absolute triumph. “But it definitely saved my mental health.” “It would be an exaggeration to say Dark Passion Play saved my life,” he would tell us later.
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New singer Anette Olzon’s poppier style works perfectly on those prettier moments while some of Tuomas’ most stunning lyricism is on display here - “ The good in her will be my sunflower field” (Eva). Tuomas poured every drop of his anger, hurt and disappointment into the dark majesty of glorious epic, The Poet And The Pendulum and Bye Bye Beautiful, but this is also a record of devastating beauty. Following their messy and very public split with Tarja, who was fired in 2005 via an open letter, the band’s next record was an unsurprisingly intense affair.
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